Does anyone know how to put gold leaf on furniture? Thank you!

Gilding process bai process:

Clause. First, the surface of the product must be smooth.

DAO, no oil, no scratches, so before the plate is mounted, the surface of the product that has been primed must be cleaned again, and the dust and garbage on the surface must be wiped clean with alcohol.

Clause. 2. After cleaning, the gold foil brushes the glue on the product, which can be sprayed with a spray gun, or brushed with a brush, cloth strip, etc.; The requirement is that the glue must be brushed in place, and it must be uniform, no bubbles, no flow marks, and no glue accumulation.

Clause. 3. Paste gold foil, that is, cover the gold foil on the surface of the place where the foil needs to be pasted, and then master the strength and gently rub it into place with a brush.

Clause. Fourth, the oil is sprayed with gold foil to protect the gold foil. That is, after the gold leaf is pasted, it is cleaned with velvet, and then a thin layer of gold leaf paint is brushed on top of the gold leaf with a brush. The role of this process is twofold:

One is to sweep away the floating particles on the gold leaf; The second is to fix and protect the gold leaf again.

Information provided by: Dongguan Huaxin gold foil.

For solid wood furniture, make a primer first, after repeated polishing and painting, brush glue and paste gold foil after the bottom is done, and pay attention to the control of concentration and time. There are many types of gold foil and the effect it makes, if you need it, I can help you, Beijing professional gold.

The materials used in the gold paste are gold leaf, gold powder and gold clay, the latter two form a thick gold layer and soft luster, but it is very expensive to pay for the material, there is a paste (gold foil), three (gold powder), nine mud gold proportion of gold, in addition to the need for special respect and exquisiteness, it is generally rarely used, so we focus on the method of pasting gold leaf. Before applying gold, you should know the varieties of gold leaf to adapt to the different requirements of customers. There are two kinds of real gold foil on the market, the color of the gold foil is red and yellow, containing 98% gold, also known as ninety-eight gold foil; The red gold leaf is blue and yellow, containing 74% gold, and the rest of the composition should be silver, also known as 74 gold leaf.

In addition, there is also real silver foil, which must be painted with protective paint after pasting, otherwise it is easy to vulcanize and turn black when exposed to air. Cheaper alternatives to gold and silver foil are copper foil and aluminum foil, with a slightly larger area per sheet. Tools and Techniques for Gilding The main tools for gilding are small bristle brushes, oil brushes, wool row pens, bamboo gold clips and silk cotton balls.

The medium used for gilding is gold-pasting paint, and commercially available gold-pasting oil can also be used. The traditional gold-foot lacquer is mostly mixed with a special lacquer (shroud lacquer), which requires the utensils to be placed in a closed room (shade room) to maintain a certain temperature and humidity so that the paint can dry slowly. Now it is commonly used to mix synthetic lacquer, and add cooked tung oil, which is more economical and convenient.

If the paint is too thick, it can be diluted with No. 200 gasoline or turpentine according to the actual situation. According to the color of the lacquer ground, the gold paint should generally add an appropriate amount of silver vermilion or stone yellow, smoke black and other pigments to make the painting eye-catching, so as to avoid uneven or missing paint liquid, and can also play a role in highlighting the gold. The weight of silver and zhu is heavy, and the gold paint should be stirred from time to time during operation, so as not to sink to the bottom and the color is uneven.

Those marked as No. 2 silver vermilion, R silver vermilion and red vermilion are substitutes and can also be used. The pigment and lacquer must be ground evenly on the slate or glass plate with a paint scraper, so as not to affect the finish due to particles when pasting gold. When pasting gold paint, it should be evenly coated, it should be thin but not thick, and the groove of the paint floor should not be silted, so as not to dry the paint liquid and wrinkles.

After the lacquer is painted, it must be in a shade room with a temperature of 22 28 and a humidity of 80%. When the gold feet are painted to semi-dry, you can take out the utensils and paste them with gold. The judging criterion can be used to lightly touch the paint surface on the back of the middle knuckle, and the paint color is not stained and slightly sticky when it is the best.

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