What traditional culture is contained in mahogany furniture?

The 5,000-year history of civilization of the Chinese nation has created a brilliant, broad and profound national culture. As an important carrier of Chinese culture, the design concept of mahogany furniture is naturally deeply influenced by traditional Chinese culture. The mahogany furniture displayed and sold in the Wuxi wood carving city market is favored by the majority of mahogany lovers with its classical design concept and style.

Industry insiders said that the culture and art enjoyed from the mahogany carrier is the real reason why everyone loves mahogany.

First, the philosophical idea of "the unity of nature and man" has a far-reaching influence on the design concept of mahogany furniture, which is reflected in the design of mahogany furniture, which is its choice of log material and its use of wood texture. Mahogany furniture with its hard texture, elegant color, gorgeous texture of the natural beauty, with its steady atmosphere, simple and smooth posture beauty, as well as the circle chair, tooth board, horseshoe feet and other vivid meaning of the beauty of the shape, fully show the harmony between creation and natural things.

Clause. Second, the color of traditional mahogany furniture is heavy but not dull, gorgeous but not gaudy, which fully reflects the traditional Chinese philosophy of "moderation". The strict proportions of mahogany furniture, the design concept of mahogany furniture in the garden with square and square circles, reflects the philosophical idea of the round sky and the round place in ancient China.

Clause. Third, the contrast between curves and straight lines, soft and rigid, virtual and real, smart and calm mahogany furniture design concept fully shows the religious culture of "conform to nature, advocating thrift" life creed, "not to be happy, not to be sad" principle and "simple and truthful, lonely and empty" value orientation.

The patterns in the traditional mahogany furniture reflect the wealth, peace, integrity, etc., and the shape reflects the regional culture, such as Beijing is heavy, Su is dexterous, and the use reflects the combination of practicality and aesthetics.