Aesthetic appreciation of classical mahogany furniture

Updated on furniture 2024-09-19
1 answers
  1. Anonymous users2024-01-24

    This is what we usually call not being straightforward. For example, the Bogu frame in the traditional Chinese furniture is the product of the combination of partition and furniture, its shape is diverse, the composition is orderly, the heaven and the earth are integrated, the left and right are connected, the broken and connected, the transparent and ethereal, the "hidden" and "dew", or real or virtual, these are the characteristics of the Bogu frame and its subtle charm of the space separation, fascinating. Precious hardwood furniture is best handcrafted to give it a human touch – that is, a human touch.

    However, a picture of the same furniture style can be handed over to different craftsmen to make different "aesthetic taste", and each piece of furniture is a true reflection of the maker's skills, character, quality, and even temperament and character. Although those who have mastered the basics of carpentry are called craftsmen, craftsmen who do hardwood joinery are different types of work from ordinary carpenters, and it is even rarer to have a thorough grasp of hardwood furniture making techniques and understanding in joinery. The understanding of the connotation of traditional culture helps us to grasp the cultural charm of furniture in design, without sticking to the traditional surface form.

    Our design is not retro, nor is it the void of history, modern civilization and traditional culture intersect, collide, fusion, the formation of a new culture, designers in this intersection, collision of coordination, balance, the formation of a different from the traditional culture, but also without losing the traditional culture of the modern mahogany furniture design new concept. In addition, it should be emphasized that modern mahogany furniture should not only inherit the beauty of the "artistic conception" of Chinese classical mahogany furniture, but also respect and inherit the traditional craftsmanship and techniques used in classical mahogany furniture, such as tenon production skills, lacquer finishing techniques, etc., which are very worthy of our inheritance. Lacquer craft has a very special position in China's traditional culture, with a history of more than 7,000 years and is widely used, due to some special reasons, these excellent cultural heritage has not been well inherited.

    Today, in our era of cultural revival, we have the responsibility to give them the appearance of the new era, so that modern mahogany furniture will develop in a healthy and orderly manner in the direction of diversification.

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