What kind of collection value does the old mahogany home have?

Hello, the old mahogany has such a concentrated value:

First, the value of cultural relics: the old mahogany is the product of the Ming and Qing dynasties of a specific era, is a rare historical relic, on behalf of the Ming and Qing Dynasty furniture material craft production level, like porcelain, jade and other collections, is the historical relics of the Qing Dynasty, is irreplaceable by other collections, has a high cultural relics value.

2. Material value: Most of the mahogany in the Ming and Qing dynasties came from India and Thailand in Southeast Asia, commonly known as "Indian red" and "Thai red". The domestic demand for hardwood furniture has expanded, and precious mahogany from Southeast Asia has been continuously shipped into the country.

In terms of material, Indian and Thai mahogany is the best, second only to red sandalwood, which is a rapidly rising alternative material after the depletion of red sandalwood, with excellent quality similar to red sandalwood. The material is strong and heavy, fine and dense, anti-corrosion and moth-proof, and not easy to deform. After being made into furniture, it is rubbed and oxidized, smooth as a mirror, radiant, smooth and cool to the touch, the color is deep and quiet, with a subtle and timeless noble beauty, the longer the pulp, the more wonderful.

3. Ornamental value: The "addiction" of old mahogany is played, and the more you play, the more addictive it becomes. If you have a polished old mahogany table or a table of eight immortals in your hall or study, and put an incense burner or other antiques, the effect of the hall or study is very outstanding.

It bears witness to the humanistic history of 200 years ago, and its nobility and beauty are revealed in its bones. Its owner is comfortable, appreciative, happy, and loving. It not only brings infinite pleasure to the owner, but also shows that it has the noble cultural taste of its owner.

Fourth, the use value: the old mahogany furniture made with traditional craftsmanship is the most able to be left to future generations as a collection of heirlooms, it is not like porcelain, jade is fragile, nor is it like calligraphy and painting afraid of tide and corruption, there is no problem with five or six generations. Take a look at the freely disassembled mortise and tenon joints, and you will understand that two hundred years have passed, and the years have basically left few traces.