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Anonymous users2024-01-24Need to control image quality? Lighting? Product deformation? Is there a color difference?
If needed, the first thing to consider is not the lens, but the size of the shooting location and lighting environment (studio conditions).
If it's just a matter of taking pictures of things, then 18-55 will do it. So it's not something that can be said in one sentence.
First of all, 2 meters X 1 meter can be said to be a relatively large commercial photography, if the studio requirements are very high, to shoot a portrait model, at least there must be at least 5 meters deep studio, so that there is space for lighting and composition.
Secondly, the size of the studio also restricts what lens you choose, the studio is small, you are close to the door you want to shoot, and the thing is big, if you want to shoot all, you have to use a wide-angle lens such as (da 15 F4), the distortion of the wide-angle lens is relatively large, simply put, the door cannot be shot horizontally and vertically, and there will be a slight fisheye effect. If the studio is large enough to shoot with a DA 50 header, this situation is much lessened.
Again, the area of the door is so large, the lighting should be even. It is impossible to say that there are places where there is light and there are places where there is no light, so the photographic lights and astigmatism boxes need to be very large. If the door is painted, it will reflect the high gloss, and it needs to be multi-lamp with lighting, honeycomb panels, etc.
Finally, it's a matter of actually shooting. If there are better lighting conditions, try to shoot with a small aperture to ensure sufficient depth of field, and ensure that the product photography is clear first, and then ensure that the picture is good-looking. Do not use a wide aperture to blur.
If you don't have these conditions and don't want to find someone to shoot, the easiest way is to shoot with an iPhone, and that's it.
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1 I have all of these.