Five of Du Fu s eight poems in Qiuxing are suitable for hanging in the living room

Updated on Living room 2024-04-04
1 answers
  1. Anonymous users2024-01-23

    Eight songs of autumn xing, the fifth.

    Penglai Palace is facing Nanshan, and the golden stem is exposed between the Han Dynasty.

    Looking at the Yaochi in the west, the queen mother descended, and the purple air was full of letters in the east.

    The clouds move the pheasant's tail to open the palace fan, and the sun surrounds the dragon scales to recognize the holy face.

    One bedroom Cangjiang is shocking at night, and several times the green trivial point to work.

    Note [1] Penglai Palace: refers to Daming Palace. Penglai, the name of the Han Palace. In the second year of Longshuo (662) of Tang Gaozong, Daming Palace was rebuilt and renamed Penglai Palace. Nanshan: That is, the end of Nanshan.

    2] Chenglu Golden Stem: refers to the copper pillar under the Chenglu plate of the immortals. Emperor Wu of the Han Dynasty built an immortal Chenglu plate on the west god platform of Jianzhang Palace. In the Tang Dynasty, there was no Chenglu plate, which was a metaphor for the Tang Dynasty. Xiao Hanjian: high into the sky, describing the dew of the golden stem is extremely high.

    3] Yaochi: The residence of the goddess of the West Queen Mother, in Kunlun Mountain. Descending to the Queen Mother: "The Biography of Mu Tianzi" and other books record the legend of King Mu of Zhou climbing Kunlun Mountain to meet the Queen Mother of the West. "The Inner Biography of Han Wu" said that the Queen Mother of the West had flown to the Han Palace on July 7 of a certain year.

    4] Purple gas from the east: Use Lao Tzu from Luoyang to enter the letter valley. "The Legend of the Immortals" records, Lao Tzu traveled west to Hangu Pass, Guan Yin Xi climbed the tower and looked, saw the east pole has purple gas west, knew that there was a saint through Hangu Pass, and then saw Lao Tzu pass by the green ox cart.

    Hanguan: that is, Hangu Pass. These two sentences borrow allusions to write the grandeur of the palace of Chang'an, the capital city.

    5] Cloud shifting: refers to the cloud-like separation of the palace fan. Pheasant Tail:

    Refers to the pheasant tail fan, made of pheasant tails, is a kind of imperial honor guard. During the first year of Xuanzong of the Tang Dynasty, Xiao Song suggested that the emperor should be in the Xuanzheng Hall every month and look at the sun, and before taking the seat, he used a feather fan to close the barrier, pitch and rise, so that everyone could not see it, and wait until he sat down, and then let people remove the feather fan. Later, it was set as a court.

    6] Sun-winding dragon scales: Describe the dragon pattern embroidered on the emperor's robe is dazzling, like the sun shrouding. Shengyan: The face of the Son of Heaven. These two sentences mean that the palace fan is separated like a cloud, and in the majestic court ceremony, he has seen the emperor's face in person.

    7] One: One self, since. Wocang River: refers to lying sick in Kuizhou. New Year's Evening: At the end of the year, the word "autumn" is pertinent, and it hurts the old man.

    8] A few times: The time of the establishment of the dynasty is short, but only a few times. Qing Zo:

    The name of the door of the Han Weiyang Palace, the door is decorated with cyan and engraved with a chain pattern. Later, it also referred to the palace gate. Point Chaoban:

    When referring to the court, the palace called the hundred officials to meet the Son of Heaven according to the shift. These two sentences lamented that he was far away from the imperial court in his later years, lying ill in Kuizhou, and had the name of a court official (a member of the inspection and engineering department), but he had not participated in the court for a long time.

    Appreciating this poem about the longing for the Chang'an Palace in Kyoto, by recalling the grand occasion of the early dynasty and comparing it with today's Cangjiang New Year's Day, it expresses a strong sense of the past and the present.

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