Is the golden silk nanmu furniture good?

Golden silk nan, mostly out of the river stream, there are gold wires in the wood grain, it is the best kind of nanmu, and what is more rare is that some nanmu materials form natural landscape character patterns;

Nanmu furniture: Nanmu furniture is a kind of solid wood furniture made of Nanmu as raw materials, Nanmu is a very suitable material for making furniture in the Ming Dynasty, which can be seen in many documents, and even today, Nanmu furniture is still a very high-end solid wood furniture.

Advantages of Nanmu furniture:

1.Strong corrosion resistance.

Nanmu is a tree that grows in the subtropics, and its growth cycle lasts for hundreds of years, so it is extremely valuable. Nanmu has excellent corrosion resistance, and even in extremely hot and humid environments, Nanmu furniture will not be corroded by oxidation, so Nanmu has been widely used in the manufacture of furniture since ancient times.

2.Strong insect resistance.

As we all know, wood is a common phenomenon, but also the biggest natural enemy of wood, Nanmu is more likely to be moth-eaten during the growth period, and once mature, its wood contains a unique fragrance, this fragrance has the effect of repelling mosquitoes, so Nanmu furniture has a strong insect resistance.

3.Good cold resistance.

Nanmu itself is mild, even in winter is not cold, Nanmu furniture is compact wood, the internal temperature is little affected by the external environment, so it also has good cold-proof performance in winter.

4.It is not easy to deform.

The growth cycle of Nanmu for hundreds of years has led to the fact that the wood of Nanmu is very compact, so the furniture used to make Nanmu will rarely be deformed or cracked, which is the characteristic of furniture made of other materials.

Disadvantages of Nanmu furniture:

Compared with its advantages, the shortcomings of Nanmu furniture are inconspicuous, and the current Nanmu furniture can be called the characteristics of the shortcomings, or the weight is much heavier than the general furniture, and the price of Nanmu furniture is not affordable to ordinary consumers.

The real red sandalwood is gone, almost extinct.

The Ming Dynasty began to acquire a large number of people from Zheng He's voyage to the West, and by the end of the Ming Dynasty, the world's red sandalwood was in China, and Napoleon only had a 5 cm red sandalwood coffin toy, which was amazing. The Qing Dynasty in China went to buy and had already been harvested, and there was no wood to use. The emperor of the Qing Dynasty ordered any official at any level to buy rosewood when he saw it.

Because you can't buy it on the planet. By the end of the Qing Dynasty, it was all used up by Yuan Shikai. The current red sandalwood species is protected at the first level of Indian legislation and is the same as elephants.

So as long as you see something for sale, it must be fake. Rosewood takes hundreds of years to grow, so it was cut down in the Ming Dynasty, and there was no rosewood to buy in the Qing Dynasty.

Jin Sinan was hyped up recently. The amount of nanmu is much greater than that of red sandalwood, and it belongs to the mid-range wood in the wood warehouse book of the Qing Dynasty. is still saying that Nanmu is good and stupid 13, CCTV and the Palace Museum have done a special program to tell the public.

First of all, it's a luxury, and the price is not good.

Secondly, it is indeed a good thing, the reason why it is called "imperial wood" is that after the discovery of other longevity and longevity miracles in the Han Dynasty, it was regarded as a miraculous wood by the emperor, princes and nobles, and has been used by the royal family since then;

Its super antiseptic and insect repellent effects have a good protective function for the items stored in it;

Again, in ancient times, it is a kind of medicine, which has the effect of awakening the spleen and dampness, opening the body and awakening the brain, raising and clearing the turbidity, and calming the soul.

Good. The wood is hard and corrosion-resistant, has a long life and is widely used. Golden silk nanmu is delicate and smooth, like a baby's skin.

It is not cool to the touch in winter, not hot to the touch in summer, and it will secrete an oily substance in summer, which naturally keeps it shiny, so the real Dongzheng Jinsi Nan does not need to be brushed with any paint and varnish, while other hardwoods do not have these characteristics. The easiest way to identify is to store the food in the Nanmu cabinet, if the food is not bad and smelly at high temperatures, it is really the golden silk Nanmu. The golden silk nanmu has a strong luster, a warm and soft texture, a delicate and accessible texture, and a burst of fragrance.

Due to historical reasons, the golden silk Nanmu furniture is called a work of art, so far only a few decades, and its knowledge and understanding is still in its infancy. For a period of time, some people believe that the characteristics of golden silk nan wood furniture are simple and simple, so they reject the decoration and carving of golden silk nan wood furniture, and even have an extreme view that non-light elements are insufficient. In fact, ornamentation and carving are ubiquitous in the furniture of golden silk nanmu, and even if it is included in the category of light furniture, it is full of strange decorative colors.

Perception born of beauty is the aesthetic instinct of human beings. Through a certain degree of contact with the carving art of golden silk nanmu furniture, it is not difficult for us to taste the aesthetic connotation of inspiring aesthetic inspiration. In short, there are five points:

1) The formal aesthetic principles of the carving art of golden silk nanmu furniture.

The so-called aesthetic principles are the aesthetic laws presented in a certain type of art work of great significance of the times. This kind of law or principle has a very quintessential artistic content and has enduring artistic vitality. The carving works of golden silk nan wood furniture are exuding this artistic atmosphere.

From the artistic form of many carved works of Jinsi Nanmu furniture, the author thinks that it is enough to summarize three prominent aesthetic principles: a finishing touch, which refers to the prominent position of Jinsi Nanmu furniture is decorated with ornamentation, to install "eyes" on the furniture, so that the furniture is full of vitality. This decoration is often placed above the backrest in the chairs to create a dynamic and thematic aesthetic.

The second is the flowing line, which refers to the carving around the tooth plate of the table, so that the furniture can show a sense of dynamism in the static, and surround the furniture with a flowing "streamer" to produce the beauty of flow. The legs, feet and shoulders of these furniture are carved with animal faces, and the tooth plate is carved with claw patterns, phoenix patterns, flowers and grass patterns, and the ornamentation is extremely vivid and lively. The three are the charm of craftsmanship, which refers to the furniture carving to express luxury and sophistication to achieve a warm and gorgeous aesthetic effect.

In terms of its overall shape, traditional Chinese furniture is based on calm and dignified, square and rigorous, but the carving decoration has a very different style from the modeling, whether it is landscapes and flowers, birds, beasts, insects and fish, or character stories, myths and legends, most of them have the characteristics of enthusiasm and unrestrained. This is in stark contrast to the dignified and solemn shape of the golden silk nanmu furniture, adding a flowing temperament to the calm form.